Ceramics is a medium that has long occupied an ambiguous place within the art world. Historically relegated to the realm of craft or design, it often lingered at the periphery of contemporary art discourse, overshadowed by painting, sculpture, and installation. Yet over the past decade, ceramics has undergone a remarkable shift, moving decisively from the margins to the center of attention. Dedicated ceramic art fairs such as Ceramic Brussels testify to this rise, while leading museums, galleries, and collections increasingly foreground clay as a material of critical and conceptual relevance. This article highlights thirty artists who exemplify this transformation. Selected through a combination of editorial curation and supported by the objective ranking system of ArtFacts, these artists demonstrate the breadth and vitality of ceramics today.
30. Cristina Tufiño
Cristina Tufiño (b. 1982, San Juan, Puerto Rico) is a multidisciplinary artist whose practice spans ceramics, installation, drawing, video, print, and photography, often engaging with consumer goods, industrial debris, and autobiographical references. Approaching her work as an archaeologist of contemporary culture, she assembles and recontextualizes images and objects to examine the intersections of personal and collective memory, artifacts, and museological display. Tufiño lives and works between San Juan, Puerto Rico, and Mexico City, Mexico.1
29. Cesc Abad
Cesc Abad’s (b. 1973, Barcelona, Spain) practice spans painting, ceramics, and sculpture, with a sustained focus on humanity’s relationship with nature. After years of experimentation and studying the great masters, Abad developed a visual language rooted in post-impressionist brushwork and symbolic imagery. His large-scale paintings and ceramics often present hybrid worlds that oscillate between the real, the dreamlike, and the dystopian. In ceramics, Abad creates narrative vessels that recall the storytelling traditions of ancient Greek and Sumerian art, combining figurative scenes with vivid colors to explore universal themes such as desire, mystery, and passion. Abad lives and works in Terrassa, Spain.2
28. Aneta Regel
Aneta Regel (b. 1976, Silesia, Poland) is a sculptor whose abstract ceramic works explore metamorphosis, memory, and the elemental forces of nature. Trained at the Academy of Fine Arts in Gdańsk before moving to London, she graduated from the Royal College of Art in 2006 and has since developed a distinctive practice that combines stoneware and porcelain clays with volcanic rock, basalt, and granite. Through repeated processes of firing, drying, and re-firing, Regel pushes her materials to their limits, creating forms that evoke trees, roots, boulders, or fossil-like organisms—objects that appear at once archaic and alive. Her sculptures often embody a tension between roughness and refinement, their surfaces marked by dynamic textures and intense, radiant colors recalling moss, bark, or coral. Deeply informed by her personal history—growing up during Poland’s post-communist transition and in proximity to a rugged natural landscape—her work channels themes of displacement, transformation, and the passage of time. Regel’s sculptures suggest a primordial vitality that resonates with both the physical world and the subconscious, offering an intimate encounter with the forces that shape life and matter. Regel lives and works in London, the United Kingdom.3
27. Jessica Stoller
Jessica Stoller (b. 1981, Detroit, Michigan, the United States) is a sculptor whose intricate porcelain works mine the material’s long-standing associations with taste, desire, and power. Working in the realm of figurative sculpture, she harnesses the history of porcelain to expand a feminist visual language, creating spaces of subversion, defiance, and play. Her sculptures juxtapose fragility with the grotesque, drawing on art historical traditions ranging from Rococo excess to decorative floral porcelain, while incorporating imagery of the body, food, and ornament. Female figures in her work embrace what is often suppressed—flaunting pleasure, abjection, and unruly vitality. Her labor-intensive process combines sculpting, draping, piping, and carving, often with multiple layers of china paint that transform the porcelain’s surfaces into sites of texture and excess. In her hands, the ‘grotesque’ becomes a powerful aesthetic and political tool, collapsing distinctions between beauty and decay, desire and repulsion, consumption and excess. By reframing the decorative arts as a space for critical engagement, her practice reclaims porcelain as a medium for feminist storytelling. Stoller lives and works in West New York, the United States.4
26. Simphiwe Mbunyuza
Simphiwe Mbunyuza (b. 1989, Butterworth, Eastern Cape, South Africa) is a ceramic artist whose practice draws on the spiritual and ritual traditions of the Xhosa people. His sculptures often serve as conduits to ancestral memory, incorporating iconography of houses, animals, garments, and abstracted forms that reference both ritual objects and everyday life. Through distinctive surface treatments, uncommon textures, and richly colored glazes, Mbunyuza transforms clay into vessels that resonate with cultural and spiritual significance. Deeply rooted in his heritage, his works embody the sacred spaces and ancestral connections central to Xhosa ceremony, while also reflecting a highly personal, intuition-driven process. Mbunyuza lives and works in Butterworth, Eastern Cape, South Africa.5
25. Aaron Angell
Aaron Angell (b. 1987, London, the United Kingdom) is an English artist whose practice spans ceramics, painting, collage, and installation. Best known for his hand-built ceramics, Angell draws on the underground pottery traditions of Britain in the 1970s and 80s, combining technical rigor with a deliberately “amateur” aesthetic. His experimental approach to glazing often relies on the volatile atmosphere of the gas kiln. Positioning himself within a lineage of material experimentation, folk history, and hermetic knowledge, Angell treats clay as a vehicle for sculpture rather than functionality. His forms often oscillate between desk-tidy–like objects, totemic vessels, and diorama-like assemblages, informed by marginal image-making traditions, hobbyist cultures, and esoteric references. He describes his method as a kind of “composting,” allowing disparate interests, symbols, and histories to decay and recombine into new visual equations. Angell lives and works in London, the United Kingdom.6
24. Andile Dyalvane
Andile Dyalvane (b. 1978, Ngobozana, Eastern Cape, South Africa) is widely regarded as one of Africa’s foremost ceramic artists. Deeply connected to his Xhosa heritage, Dyalvane’s large-scale sculptural works in clay—umhlaba or “mother earth”—serve as vessels for ancestral memory, storytelling, and spiritual healing. His practice draws on traditional scarification, communal rituals, and the cycles of the land, reinterpreted through contemporary forms that merge beauty, symbolism, and cultural continuity. Dyalvane studied at Sivuyile Technical College and Nelson Mandela Metropolitan University before co-founding Imiso Ceramics in 2005. Alongside his functional design work, he has developed an expansive sculptural practice that emphasizes monumentality and spiritual resonance. Dyalvane lives and works in Cape Town, South Africa.7
23. Bruce M. Sherman
Bruce M. Sherman (b. 1942, New York, the United States) is a ceramic artist whose practice brings together figuration and abstraction in whimsical, anthropomorphic forms. His hand-thrown sculptures often combine cylinders and flat planes with stylized faces, disembodied expressions, and symbolic motifs such as hands, eyes, and plants. Balancing humor and reverence, surrealism and tradition, his totemic arrangements allude to themes of rebirth, renewal, prayer, and consciousness. As Sherman himself has remarked, “working in clay is almost like a way of praying.” Before dedicating himself fully to art, Sherman trained and worked as a dentist, while also engaging with craft and performance through the Society for Experimental Studies in the 1960s and 70s. His interest in Japanese Bunraku puppetry and stone-cutting during that period informed the theatrical and tactile qualities of his later ceramic work. Today, his sculptures—ranging from mythical creatures to house-like forms populated by miniature figures, ladders, and potted plants—embody playfulness and spiritual depth. Sherman lives and works in New York, the United States.8
22. Bari Ziperstein
Bari Ziperstein (b. 1978, Chicago, the United States) is a Los Angeles–based artist whose practice spans ceramics, sculpture, installation, and public art. Materially experimental yet conceptually rigorous, her work engages themes of consumerism, propaganda, and the built environment. Through sculptural objects, large-scale installations, and a line of functional ceramics, BZIPPY, she explores the political dimensions of capitalist economies and the construction of desire in contemporary culture. Ziperstein often begins with research into archives, drawing on sources such as Soviet-era textiles and propaganda posters, Brutalist architecture, and the visual language of monuments. Approaching her practice from an intersectional feminist perspective, she interrogates how women’s labor and bodies have historically been framed, while also expanding the possibilities of clay as a sculptural medium. Ziperstein lives and works in Los Angeles, the United States.9
21. Nicole Cherubini
Nicole Cherubini (b. 1970, Boston, the United States) is a sculptor whose practice redefines the possibilities of clay. Working at the intersection of sculpture, painting, and installation, Cherubini challenges conventions of function and beauty by creating hybrid vessel-objects that resist containment. Her works often embrace excess—glaze-laden surfaces, ornamental motifs, and deliberately “too much” decoration—subverting traditional hierarchies of taste and class. Even her pedestals, frequently treated as extensions of the sculpture, become layered sites of material experimentation and cultural critique. Cherubini lives and works in Brooklyn and Hudson, New York, the United States.10
20. Julia Haft-Candell
Julia Haft-Candell (b. 1982, Oakland, California, the United States) is a ceramic artist whose practice is rooted in a personal glossary of recurring symbols, including hands, eyes, chains, and the infinity sign. These motifs, which she refers to collectively as part of The Infinite—an alternate universe she has been constructing across her projects—emerge in sculptural form through clay, glaze, and fire, as well as in her hand-drawn and watercolor divination deck. Her work celebrates imperfection and material transformation: clay is overfired, glazes are applied thickly until they become sculptural in their own right, and bronze elements melt into surfaces to create streaks of color and disruption. Haft-Candell lives and works in Los Angeles, the United States.11
19. Anders Ruhwald
Anders Herwald Ruhwald (b. 1974, Randers, Denmark) is an artist working primarily with ceramics, creating works that range from intimate objects to large-scale installations. Treating clay as an extension of body and mind, he uses the medium to record movement and gesture, both intentional and unintentional. His works communicate directly through their physical presence—weight, surface, color, and scale—while engaging the histories of both decorative and fine art. Ruhwald describes himself as a form-giver, exploring consciousness through the visual language of form and space. Ruhwald lives and works in Chicago, the United States.12
18. William J. O’Brien
William J. O’Brien (b. 1975, Eastlake, Ohio, the United States) is a multidisciplinary artist whose practice spans drawing, painting, ceramics, textiles, metal sculpture, assemblage, and installation. His work reflects a wide range of cultural and historical influences, from Modernism and ethnography to outsider traditions, psychedelia, and poetry. Grounded in drawing but materially expansive, O’Brien’s practice explores improvisation, rhythm, and the transformation of everyday and found materials. O’Brien lives and works in Chicago, the United States.13
17. Elisabeth Kley
Elisabeth Kley (b. 1956, New York, the United States) is known for her distinctive black-and-white ceramic sculptures, vessels, drawings, and site-specific wall and floor paintings. Drawing on sources as varied as Wiener Werkstätte, Sergei Diaghilev’s Ballets Russes, and ancient Egyptian ornament, Kley creates environments where geometric and botanical motifs unfold across multiple media. Her works are often conceived in series, with individual ceramic pieces placed together to form rhythmic, immersive arrangements surrounded by hand-painted fabric panels and murals. The resulting installations envelop viewers in a patterned world that is both intimate and expansive, evoking echoes of theater, design, and decorative history. Kley lives and works in New York.14
16. Mira Makai
Dalma Makai (b. 1990, Budapest, Hungary) is a ceramic artist whose practice combines organic forms, experimental surface treatments, and a playful synthesis of cultural references. Her sculptures often resemble organisms, marine creatures, or hybrid growths, evoking vitality and decomposition. Through these works, she explores the tension between attraction and repulsion, situating her practice in the ambiguous space between proliferation and decay. Makai studied at the Hungarian University of Fine Arts, where she began in printmaking before turning to ceramics, a medium she has since expanded with her own firing techniques and distinctive use of pigments. Her sculptures frequently integrate influences from natural history, mythology, animation, and gaming culture, layered into unexpected formal and chromatic combinations. Makai lives and works in Budapest, Hungary.15
15. Francesca DiMattio
Francesca DiMattio (b. 1981, New York, the United States) is an artist whose work reconsiders the histories of craft and the decorative arts through a contemporary and feminist lens. Working primarily in ceramics and sculpture, she integrates elements associated with ornamentation—such as beading, knitting, and floral motifs—into monumental, hybrid forms that embody contradiction. Her works merge fragility and force, tradition and innovation, and animate and inanimate qualities, presenting femininity as a precarious and multifaceted balance. Originally trained as a painter, DiMattio brings the fractured dynamism of her large-scale paintings into her sculptural practice. Her ceramics draw from a wide range of historical references, from Ming vases and Sèvres porcelain to Wedgwood and mass-produced decorative objects. By collapsing hierarchies between high and low culture, she underscores the instability of meaning and the intertwined histories of value, desire, and identity. DiMattio lives and works in New York, the United States.16
14. Eric Croes
Eric Croes (b. 1978, La Louvière, Belgium) is a sculptor whose practice bridges ceramics and bronze to create hybrid, whimsical forms. Rooted in both experimentation and craftsmanship, his works embody play, chance, and fantasy while remaining firmly connected to sculptural traditions. Often combining human and animal features, his colorful pieces draw upon cultural references that range from Roman votive hands to sailor tattoos. Croes’ sculptures form a personal mythology—an imaginative procession of characters inspired by travels, iconic figures, and lived experiences. His process is guided by self-imposed rules, much like a game of chance, producing works that function as symbols, guardians, or lucky charms. Rich with stories and poetic invention, his oeuvre fuses the marvelous with the intimate, situating his practice within both contemporary experimentation and the continuity of sculptural history. Croes lives and works in Brussels, Belgium.17
13. Matt Wedel
Matt Wedel (b. 1983, Palisade, the United States) is a ceramic artist recognized for his often monumental sculptures that expand the possibilities of clay through experimentation with scale, form, and color. Immersed in the medium from an early age under the guidance of his father, a functional potter, Wedel has developed a practice that combines traditional ceramics with an expansive sculptural language. His large-scale floral and figurative works evoke both vulnerability and monumentality, embodying themes of growth, fragility, and resilience. By embracing the unpredictability of clay, his sculptures reveal an intensely personal yet universal exploration of material and form. Wedel lives and works in Athens, Ohio, the United States.18
12. Brie Ruais
Brie Ruais (b. 1982, Southern California, the United States) is known for her movement-based ceramic practice. Each work is made with the equivalent of her body weight in clay, resulting in human-scale sculptures that register physical gestures such as scraping, gouging, and pressing. Through this immersive engagement, Ruais explores the relationship between body and earth, generating works that emphasize physical presence and material transformation. Ruais lives and works in Cerillos, New Mexico, the United States.19
11. Roberto Lugo
Roberto Lugo (b. 1981, Philadelphia, the United States) is an artist, ceramicist, poet, activist, and educator whose practice merges classical pottery traditions with the visual language of Hip Hop and his North Philadelphia upbringing. Working with forms and techniques rooted in European and Asian ceramics, Lugo reimagines them through a contemporary lens, layering ornate decorative motifs with graffiti-inspired marks and hand-painted portraits. His vessels often feature figures historically absent from such objects—icons like Sojourner Truth, Dr. Cornel West, and The Notorious B.I.G.—as well as family members and self-portraits, transforming ceramics into platforms for representation, memory, and social justice. By drawing on the cultural histories of clay as symbols of privilege and status, Lugo disrupts and redefines their meaning, creating works that challenge hierarchies while celebrating African American and Latino culture. Lugo lives and works in Philadelphia, the United States.20
10. Geng Xue
Geng Xue (b. 1983, Jilin, China) is a sculptor and filmmaker whose practice combines porcelain, bronze, and moving image to explore themes of tradition and the human condition. Trained at the Central Academy of Fine Arts in Beijing, where she later studied under Xu Bing, Geng has developed a contemporary sculptural language deeply rooted in classical Chinese culture yet attuned to global dialogues. Her works often merge myth, philosophy, and craft, whether through stop-motion films created entirely in porcelain or installations that reference Buddhist cosmology and the history of Chinese storytelling. Drawing on her cross-cultural experiences in China and Europe, she approaches art as a mode of communication between past and present, self and world. Geng lives and works in Beijing, China.21
9. Brian Rochefort
Brian Rochefort (b. 1985, Lincoln, the United States) is a mixed-media sculptor whose vibrant, cratered forms push the boundaries of ceramic practice. Working primarily with clay and glaze, he builds and fractures unfired vessels before layering them with proprietary glazes, airbrushed pigments, and melted glass. The resulting sculptures are textural amalgamations—at once volcanic, crystalline, and aquatic—evoking the raw materiality of subterranean caves, coral reefs, or planetary landscapes. Drawing inspiration from expeditions to remote environments such as the Amazon, the Galápagos, and the Bolivian highlands, Rochefort infuses his practice with an ecological sensibility. His richly chromatic surfaces suggest both the beauty and fragility of natural systems, while his experimental process embraces a tension between control and collapse. Informed by artists such as Ron Nagle, Ken Price, and Kathy Butterly, as well as abstract painters including Joan Mitchell and Albert Oehlen, Rochefort extends the sculptural possibilities of ceramics into bold new territory. Rochefort lives and works in Los Angeles, the United States.22
8. Ramesh Mario Nithiyendran
Ramesh Mario Nithiyendran (b. 1988, Colombo, Sri Lanka) is a contemporary artist of Tamil heritage whose work explores global histories of figuration with a strong emphasis on South Asian traditions. Best known for his hybrid ceramic sculptures, he combines references to ancient deities, idolatry, and monumentality with queer perspectives, popular culture, and contemporary materials such as neon and electricity. His practice spans ceramics, bronze, painting, drawing, and installation, producing dynamic, vividly coloured figures that reflect plural identities and coexistent belief systems. As a result, the artist is widely recognised for his innovative contributions to contemporary ceramics and figurative sculpture. Nithiyendran lives and works in Sydney, Australia.23
7. Shahpour Pouyan
Shahpour Pouyan (b. 1979, Isfahan, Iran) is an artist whose multidisciplinary practice examines power, domination, and cultural memory through the lens of history, science, and architecture. Working across sculpture, painting, and works on paper, Pouyan frequently reinterprets historical aesthetics—such as Persian miniatures, chainmail, helmets, and architectural forms—within a contemporary framework. His practice transforms political and historical references into poetic visual statements, probing the repetition of human error and the enduring symbolic weight of monuments, artifacts, and structures. Pouyan lives and works between Tehran, Iran, and London, United Kingdom.24
6. Ruby Neri
Ruby Neri (b. 1970, San Francisco, the United States) is a sculptor and painter recognized as a central figure in the resurgence of ceramics within contemporary art. Drawing on twentieth-century West Coast traditions as well as a wide range of art historical and anthropological references, she explores the human body as a site of vulnerability, desire, and excess. Her large-scale ceramic vessels combine raw tactility with psychological intimacy, often marked by expressive figuration and vibrant sprayed glazes that recall her background in street art as a member of the San Francisco Mission School in the 1990s. Across two decades, Neri has developed a practice that bridges craft and contemporary sculpture, situating her within both the Bay Area Funk and Figurative movements, as well as a broader lineage of Los Angeles–based artists who engage the body as a porous, unstable form. Neri lives and works in Los Angeles, the United States.25
5. Elizabeth Jaeger
Elizabeth Jaeger (b. 1988, San Francisco, the United States) creates sculptures and installations, working with clay, ceramics, plaster, steel, silk, and glass. Her works examine the relationship between corporeality and perception, combining organic and amorphous forms with geometric structures. Earlier series directly addressed the representation of the female body, while her more recent sculptures expand into hybrid forms that draw on references to flora, fauna, and abstraction. Jaeger lives and works in New York, the United States.26
4. Salvatore Arancio
Salvatore Arancio (b. 1974, Catania, Italy) works across ceramics, etching, collage, animation, and video to explore the mutable potential of images and their meanings. Central to his practice is an interest in how symbols can be reframed and reinterpreted, often resulting in works that hold a deliberate sense of ambivalence. His objects and installations juxtapose natural and artificial, mineral and vegetal, scientific and mythological elements, creating hybrid forms that are both evocative and unsettling. Through this interplay, Arancio produces visual worlds where opposites converge—two- and three-dimensional, factual and fictional—functioning like an atlas of confusion in which the certainty of scientific illustration gives way to ambiguity and metaphor. Arancio lives and works between Nice, France, and London, the United Kingdom.27
3. Woody De Othello
Woody De Othello (b. 1991, Miami, Florida, the United States) is a multidisciplinary artist working across sculpture, painting, and drawing. Best known for his glazed ceramic and bronze vessels, Othello transforms everyday domestic objects into anthropomorphic forms. His practice draws on spiritual and cultural traditions, including the Central African concept of nkisi and Indigenous Dagara cosmology, embracing clay as a regenerative medium deeply connected to land and ancestry. Large-scale public commissions further extend his practice into civic space. Othello lives and works in Oakland, California, the United States.28
2. Johan Creten
Johan Creten (b. 1963, Sint-Truiden, Belgium) is widely regarded as a pioneer in reintroducing ceramics to contemporary art. Trained as a painter at the Royal Academy of Fine Arts in Ghent, he discovered clay in the mid-1980s and embraced it at a time when the medium was largely dismissed within the art world. Since then, he has developed a singular body of work that combines technical virtuosity with allegorical power, expanding his practice to include both ceramics and bronze. Creten has pursued what he terms “Slow Art,” a commitment to introspection and reflection on human, social, and ecological conditions. His sculptures oscillate between delicacy and monumentality, from intimate clay works to imposing bronzes, often infused with references to mythology, nature, and the fragility of existence. By exploring the poetic, lyrical, and mysterious aspects of form, his practice addresses beauty as both an aesthetic and political force. Creten lives and works between Paris and Montreuil, France.29
1. Grayson Perry
Grayson Perry (b. 1960, Chelmsford, UK) is a British artist celebrated for his incisive explorations of identity, gender, class, and social history. Working across ceramics, tapestry, printmaking, bronze, and architectural design, Perry combines the decorative traditions of craft with pointed commentary on contemporary life. His richly adorned ceramic vessels, embroidered surfaces, and monumental tapestries draw on both autobiographical references and broader cultural narratives, often incorporating his female alter ego, Claire. By layering humor, sentiment, and satire with historical and pop-cultural imagery, he creates works that confront social taboos while remaining accessible and deeply human. In 2003, he became the first ceramicist to win the Turner Prize, cementing his position as a pivotal figure in contemporary art. Perry lives and works in London.30
Notes:
- Marcelle Joseph Projects, Cristina Tufiño consulted October 2, 2025. ↩︎
- Víctor Lope Arte Contemporáneo, Cesc Abad consulted October 2, 2025. ↩︎
- Sarah Myerscough Gallery, Aneta Regel consulted October 1, 2025. ↩︎
- P.P.O.W., Jessica Stoller consulted October 1, 2025. ↩︎
- David Kordansky Gallery, Simphiwe Mbunyuza: UMTHONYAMA consulted October 1, 2025. ↩︎
- Artsy, Aaron Angell consulted October 1, 2025. ↩︎
- Southern Guild, Andile Dyalvane consulted October 1, 2025. Friedman Benda, Andile Dyalvane consulted October 1, 2025. ↩︎
- Eric Firestone Gallery, Bruce M. Sherman consulted October 1, 2025. ↩︎
- Vielmetter Los Angeles, Bari Ziperstein consulted October 1, 2025. ↩︎
- Friedman Benda, Nicole Cherubini consulted October 1, 2025. ↩︎
- Night Gallery, Julia Haft-Candell: The Yearning consulted October 1, 2025. ↩︎
- Morán Morán, Anders Ruhwald consulted October 2, 2025. ↩︎
- Shane Campbell Gallery, William J. O’Brien consulted October 2, 2025. ↩︎
- CANADA New York, Elisabeth Kley consulted October 1, 2025. ↩︎
- Mira Makai, Text consulted October 1, 2025. ↩︎
- Pippy Houldsworth Gallery, Francesca DiMattio consulted October 1, 2025. ↩︎
- Richard Heller Gallery, Eric Croes consulted October 1, 2025. ↩︎
- Matt Wedel, About consulted October 1, 2025. ↩︎
- Albertz Benda, Brie Ruais consulted October 2, 2025. ↩︎
- R & Co., Roberto Lugo consulted October 1, 2025. ↩︎
- Eli Klein Gallery, Geng Xue consulted October 1, 2025. ↩︎
- MASSIMODECARLO, Brian Rochefort consulted October 1, 2025. Sean Kelly Gallery, Brian Rochefort consulted October 1, 2025. ↩︎
- Sullivan+Strumpf, Ramesh Mario Nithiyendran consulted October 1, 2025. ↩︎
- Galerie Nathalie Obadia, Shahpour Pouyan consulted October 1, 2025. ↩︎
- David Kordansky Gallery, Rubi Neri consulted October 1, 2025. ↩︎
- Klemm’s Berlin, Elizabeth Jaeger consulted October 1, 2025. ↩︎
- Semiose, Salvatore Arancio consulted October 1, 2025. ↩︎
- KARMA, Woody De Othello consulted October 1, 2025. ↩︎
- Perrotin, Johan Creten consulted October 1, 2025. ↩︎
- Victoria Miro, Grayson Perry consulted October 1, 2025. ↩︎
Cover image: Installation view of “Simphiwe Mbunyuza: UMTHONYAMA” (2025) at David Kordansky Gallery in New York, US.
Last Updated on October 6, 2025
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About the author:
Sylvia Walker (b. 1986, US) is an art historian, essayist, art critic, and curator. After contributing to numerous publications, and curating exhibitions in the United States of America and beyond, she currently works as the assistant director of Contemporary Art Issue (CAI).
