Georg Baselitz Has Passed Away at 88

In Memoriam

German artist Georg Baselitz, the artist who turned painting on its head and is one of the defining figures of postwar European art, has passed away at the age of 88. His passing on April 30, 2026, was confirmed by Galerie Thaddaeus Ropac, which had a longstanding relationship with the artist, and the gallery stated that he died peacefully. The gallery described Baselitz as an artist who “defined German visual art for a generation.” 

Born Hans-Georg Kern in Deutschbaselitz, Saxony, in 1938, Baselitz grew up in the aftermath of the Second World War and under the political conditions of East Germany. After studying in East Berlin, he moved to West Berlin in 1957 and adopted the name Georg Baselitz in 1961, referring to his birthplace. His first exhibition in West Berlin in 1963 caused public controversy when two paintings were confiscated by the authorities, marking the beginning of a career often shaped by confrontation, provocation, and resistance to artistic convention. 

Baselitz became widely known for painting his subjects upside down, a method he first introduced in 1969. By inverting figures, trees, houses, eagles, and other motifs, he sought to detach the image from straightforward representation and emphasize the structure, materiality, and act of painting itself. This approach became his signature, placing his work between figuration and abstraction. Across more than six decades, Baselitz developed an extensive body of work spanning painting, drawing, printmaking, and sculpture. His Neo-Expressionist visual language repeatedly returned to the traumas of German history, including war, guilt, memory, and the divided postwar nation. His work is held in major museum collections worldwide and remains central to the history of contemporary German art. 

Installation view of ‘Georg Baselitz: Time’ at Thaddeus Ropac in Paris Pantin (2020). Photo: Thaddaeus Ropac (c)
Georg Baselitz, Sitzbank, 2020. Oil on canvas – 270 × 207 cm. Courtesy Thaddeus Ropac.
Georg Baselitz, Über das Sofa (Above the Sofa), 2021. Oil on canvas – 56 7/10 × 88 1/5 × 2 1/5 in / 144 × 224 × 5.5 cm. Courtesy White Cube.
Georg Baselitz, Marie-Therese in Dinard (Marie-Therese in Dinard), 2023. Oil on canvas — 300 × 260 cm. Courtesy White Cube.
Georg Baselitz, Yellowred Orange Turns Into Bluedark, 2012. Oil on canvas – dimensions unknown. Courtesy Istanbul Contemporary.
Georg Baselitz, Manifesto, 2019. Oil and gold varnish on canvas – 114 1/5 × 68 1/10 in / 290 × 173 cm. Courtesy White Cube.
Georg Baselitz, Victory day, 2003. Oil on canvas – 81 9/10 × 65 2/5 in / 208 × 166 cm. Courtesy Galerie Leu.
Georg Baselitz, Auftritt am Sandteich II – bei + 30C (Remix), 2006. Oil on canvas – 118 × 157 1/2 in / 299.7 × 400.1 cm. André Viana.
Georg Baselitz, Ohne Titel, 1998. Watercolor – 32 3/10 × 22 4/5 in / 82 × 58 cm. Ketterer Kunst.
Georg Baselitz, Hinterglasvogel, 1997. Oil on canvas – 51 1/5 × 38 1/5 in / 130 × 97 cm. Courtesy Phillips.
Georg Baselitz, Zwei Rehe (Two Deer), 1984. Oil on linen – 78 3/4 × 63 3/4 in / 200 × 161.9 cm. Courtesy Sotheby’s.
Georg Baselitz, Untitled (Girl with Accordion), 1986. Oil on canvas – 23 3/5 × 18 1/10 in / 60 × 46 cm. Courtesy Opera Gallery.
Georg Baselitz, Sitzender Akt, 1976. Ink, charcoal, watercolour, “Silberbronze” on hand made paper – 30 3/5 × 20 9/10 in / 77.6 × 53.2 cm. Courtesy Daniel Blau
Georg Baselitz, (Untitled) Trial proof for page 8 of the portfolio ‘Adler’, 1974. Finger painting in oil on woodcut print on paper – 11 1/5 × 7 3/10 in / 28.5 × 18.5 cm. Courtesy Phillips.

Last Updated on May 1, 2026

About the author:

Maxim Foucquet is a curator, art critic, and contemporary artist residing and working in Belgium.